Ostade, Adriaen van
Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).
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Ostade, Adriaen van Merrymaking Outside an Inn oil painting


Merrymaking Outside an Inn
Oil on canvas.
Painting ID::  19715 		Ostade, Adriaen van
Merrymaking Outside an Inn
Oil on canvas.
   
   
     
Ostade, Adriaen van Drinking Figures and Crying Children oil painting


Drinking Figures and Crying Children
1634 Oil on panel.
Painting ID::  19716 		Ostade, Adriaen van
Drinking Figures and Crying Children
1634 Oil on panel.
   
   
     
Ostade, Adriaen van Peasants Making Merry in a Tavern oil painting


Peasants Making Merry in a Tavern
1635 Panel Alte Pinakothek, Munich.
Painting ID::  19717 		Ostade, Adriaen van
Peasants Making Merry in a Tavern
1635 Panel Alte Pinakothek, Munich.
   
   
     
Ostade, Adriaen van Villagers Merrymaking at an Inn oil painting


Villagers Merrymaking at an Inn
1652 Oil on panel Toledo Museum of Art.
Painting ID::  19718 		Ostade, Adriaen van
Villagers Merrymaking at an Inn
1652 Oil on panel Toledo Museum of Art.
   
   
     
Ostade, Adriaen van Lawyer in his Study oil painting


Lawyer in his Study
Oil on panel Museum Boymans van Beuningen, Rotterdam.
Painting ID::  19719 		Ostade, Adriaen van
Lawyer in his Study
Oil on panel Museum Boymans van Beuningen, Rotterdam.
   
   
     
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     Ostade, Adriaen van
     Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).

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